Missoula's community cinema is opening a new sci-fi movie from Robert Pattinson and "Parasite" director Bong Joon-ho and replaying Oscar winners "Anora," "I'm Still Here" and "No Other Land."

Pattinson’s performance as “an expendable” who’s cloned—and dies—over and over is absolutely captivating in director Bong Joon-ho’s follow-up to

In Mickey 17, Naomi Ackie is launched into a world of clones, space colonies, and interstellar existentialism. Bong Joon-ho’s first movie since his 2019 record-breaking sensation Parasite is an equally all-consuming immersion,

In Bong Joon-ho’s latest film, Robert Pattinson plays a space traveller facing a succession of death sentences.

Parasite’ director Bong Joon-ho returns with an anarchic space adventure in which Pattinson is 3D-printed into existence ad nauseam

Parasite' director Bong Joon Ho loves Robert Pattinson so much that he cast him as multiple versions of a sad sack in sci-fi movie "Mickey 17."

Mickey 17” is the latest firecracker placed between our toes by the South Korean director/prankster/genius Bong Joon Ho. It’s his first film since “Parasite” became the first foreign language movie to win a best picture Oscar in 2020,

The main attraction of Mickey 17 is Robert Pattinson. A bona fide movie star, Pattinson is one of the most bold actors working. His co-star, Ruffalo, has similarly played two roles in I Know This Much is True, and he does a wonderful job in Mickey 17.

Robert Pattinson throws himself wholeheartedly into this performance, and as it turns out, he was already a perfect Bong performer.

This article contains spoilers for 'Mickey 17' After Parasite's thunderous success in 2019, Bong Joon Ho is finally back with Mickey 17. Bong's latest actually feel

Bong is known for acclaimed films like “Snowpiercer,” “The Host,” “Okja” and “Barking Dogs Never Bite.” “Mickey 17” marks the director’s first film since 2019’s “Parasite,” which became the first non-English language movie to win best picture at the Oscars as well as the highest-grossing South Korean film in history.